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Articles
Dear children, you must be familiar with the name of Gurudev Rabindranath Tagore. Do you have some idea about his life and achievements? Well, let me introduce this great man of India to you today.
Literature, music and poetry were part of the Tagore household. Also they had to learn a little more English than others. Prior to being sent to England, possibly to join the Bar or the Civil Service, he spent some time at Ahmedabad, with his civilian brother, Satyendranth. The year and a half at the London University were amusing but unproductive. He never completed the course. On the other hand, his sparkling letters, published in a journal, caused raising of eyebrows. His father called him back. Memory lingered, as Bhanga Hridaya (Broken Heart) shows. Perhaps as a cure for such heartache, his father asked him to write a few devotional songs. In an essay he wrote, “When I was eighteen, a sudden breeze of religious experience came to my life for the first time and passed away, leaving behind a message of spiritual reality…The poem I wrote on the first day of surprise was called “The Awakening of the Waterfall”:
On December 9, 1883, Tagore was married, somewhat unexpectedly, to the daughter of one of the junior officers of the family estate. The novel Rajarshi (The Royal Sage), later adapted as a verse play Visarjan (Sacrifice) was a moving indictment of the Hindu ritual of offering human sacrifice. The zamindari work could not be neglected. Astonishingly Rabindranath was an efficient and competent landlord. It was during this time that he turned his thoughts towards the problems of teaching. He spoke publicly on ‘The vicissitudes of Education’ (Sikhar Herpher) in which he made a strong plea for the use of the mother tongue. In one of his articles Tagore had exposed the dual standard of the government: “European ethics is for Europeans only.” The starting of a school for children at Shantiniketan (December 21, 1901) finds Tagore in a new role. In the world outside, the British game of divide-and-rule was at work. The Partition of Bengal (Bangabhanga) was in the offing. At Dacca, Lord Curzon had dropped a hint about a Muslim-dominated separate province. This was strongly resented. Tagore was deeply involved. In his essay on Swadeshi Samaj he analyzed the grass-root problems of an actually Indian social polity. The poem on Shivaji (August 1904) was another eloquent phrase of nationalist gusto. As the time of Bengal Partition (October 16, 1905) drew near, the approach of the people stiffened. Boycott of British goods was announced and, to a large extent, adhered to. In Calcutta’s Town Hall Tagore read a paper, “The Situation and the Remedy” (Abastha O Byabastha) in which he strongly recommended the setting up of a parallel government. His songs were on everybody’s lips. He had suddenly become a people’s writer. It was during these stirring days that he wrote “Sonar Bangla” (Golden Bengal), which was to turn out to be, ironically, the national anthem of Bangladesh. He was writing Gitanjali. Though this is perhaps not his best or greatest work, it was destined to change the significance of his life. Whether it marks a break or division in his career or not, there is an increasingly international note in his public gestures. On November 19, 1912, after he had returned to India, came the news of the award of the Nobel Prize for Literature to him. The news did not arrive in total as a revelation. He is reported to have said, “I shall never have peace again.” That it gave him an international status and position is palpable. Tagore had noticed Gandhiji’s South African satyagraha. On March 6, 1915, the two met for the first time at Shantiniketan. This was the beginning of a long friendship, of course not without its ups and downs. It was Rabindranath Tagore who had given the title “Mahatma” to Gandhiji. Gandhi had started a Non-cooperation Movement. Shantiniketan was not impervious. The poet returned to India in July 1921. Political discussions, which he could not avoid, took much of his time. On the creative side he wrote Saradotav (Autumn Festival), a perennial school favorite. More significant was the dedication of the institution, now Visva-Bharati, as a public trust (December 21, 1921).
Reasons of health had forced him to adjourn the Hibbert Lectures at Oxford. The lecturers were delivered in 1930. He chose for theme “The Religion of Man”. In April 1940 Gandhiji came to Shantiniketan. Tagore handed over to him an epigrammatic letter pleading for the preservation of Visva-Bharati, “the cargo carrying his life’s best treasure”. On August 7 the Oxford University confirmed D. Litt. (honoris causa) on him, at Shantiniketan itself. His last birthday address, “Crisis of Civilization”, had to be read out, with the tired poet reclining on a wheel-chair. Though buffeted he kept his faith till the end. “I shall not commit the grievous sin of losing faith in Man.” Finally, he had to undergo surgery and was removed to Calcutta. Too weak to write, he dictated two ‘terrible’ poems: “Sorrow’s Dark Night” and “Thou Guileful One”. These give a new focus on his life and works. On August 7, he passed away. Gurudev Rabindranath Tagore was a man of vision and outlook. In one of his lectures he has written, “I love India not because I cultivate the idolatry of geography, not because I have had the chance to be born in her soil, but because she has saved through the tumultuous ages the living words that have issued from the illuminated consciousness of her great sons.” (A Vision of India’s History). His life was more of a challenge full of tensions, surprises and creativity, is a paradigm to emulate for all generations to come. October 27, 2007 Image of Mahatma Gandhi and Rabindranath Tagore courtesy The Hindu |
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